Beethoven :: essays research papers

It has been called the greatest audio entity one(a) could ever find out to a song which can pierce the soul of even the mostdedicated music-hater Beethovens Ninth Symphony. Notonly has it been designated thusly also, as one of the fewtruly divinely inspired works, one which most men can onlymarvel at, as they gloat in their appropriate humility.These creations, however, be definitely non the onlyaspects of entities beyond the scopes of men there are farmore examples, which are seen all(prenominal) day, but oftenoverlooked. I was walking outside, with this song echoingin the recesses of my mind, on a dismal, overcast day in theAutumnal quarter, a day when where the streets blendedwith the atmosphere, when one could hardly look upwithout aspect the singe of the wind against ones face. Tome, these days have eternally conjured up images of somedistant, looming storm, some silent tempest which, if not other distracted will soon wreak mayhem and disasteron my environs. This day ha d an intense air about it, as doothers of its ilk. This is most likely the fault of the storm below which it is shadowed, as though it and its inhabitantsare uneasy and harrowed about the imminent predatorwaiting overhead to pounce. As the sky overhead swamwith deeper and deeper shades of gray and hopeless black,the song in my mind was reaching some vocal crescendo inthe quaternate movement, a better foreteller of the gale I couldnot imagine. While the winds bullied and tormented the raw neighborhood, I started for my house.Unexpectedly, as the crescendo was losing speed, a quiet,pacific violin entered the musical comedy fray in my brain, and theentire mood of the symphony mellowed, the windsthemselves pacified, seemingly under Ludwigs fickledominion. Thinking the storm had passed, I continuedblissfully onward to the meadows which were mydestination. Again I was assaulted, this time by a unlikepart of the symphony not too long after the commencement exercise chorale.This was the startling and almost fearful, but still uplifting,part in which the feminine and male vocals collided like twohuge tidal waves with the power to sliver a fleet of shipswith the German Alle Menschen repeated several times.Upon this onslaught of euphony, I turned from whatever Imight have been thinking before, and looked at someviolently twisting and rising leaves and other debris, andgazed at the implike heavens, again ominous. Annoyed withBeethoven and the cruel elements, I stood there, unmovingindecisive, not knowing whether to turn around or pursuemy present course, I felt the excited chorale still striking